《两个女人韩国》

分类:电影电影解说 地区:其它 年份:1978 导演:奥德里奇·利普斯基 主演:Arcelia 状态:电影解说

简介:On a remote island off the west coast of Scotland
  • 线路四
正序

内容简介

On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life. 米希尔(ěr )与兄弟(🏡)弗兰克(kè )经营着(✊)一(yī )家小型建筑(🥣)公(gōng )司。当米(mǐ )歇尔(🐓)遇见蜜雪(xuě )儿的(🏊)时候(hòu )就对他(tā(🌊) )一见钟情了。美(mě(😮)i )雪儿是(shì )一位房(🙁)产(🎽)经纪人(rén )并且手(🍄)(shǒu )里攥着一项大(🚿)项(xiàng )目。为(wéi )了吸(🏁)引蜜雪儿(ér )的注(🐗)意(✔)力(lì ),米歇尔先要(🏫)(yào )解决和弗(fú )兰(🚦)克的关系,因为弗(🛍)兰(lán )克的计划开(🤥)始(🎮)(shǐ )威胁他浪(làng )漫(🈲)的设计。 玛(mǎ )丽亚(🕌)·卡(kǎ )拉斯,20世纪(🏙)最(zuì )伟大的女(nǚ(🚝) )高音,被誉为(wéi )“歌剧(🐋)女(nǚ )神”,她那美(mě(🏆)i )妙动人的(de )歌喉演(🆙)(yǎn )唱了《托斯卡》、(🔣)《卡(kǎ )门》等无数经(🎑)典(🍧)(diǎn )之作。她与希腊(🚈)船王的(de )爱情悲(bē(🍻)i )歌、与杰奎琳·(👲)肯尼迪(dí )从未谋(🍗)面(🎒)但命(mìng )运相连的(📵)(de )纠葛,亦成旷(kuàng )世(🌅)绝唱。2017年,卡拉斯去(🛄)(qù )世四十周(zhōu )年(😠)之(🏣)时,导演(yǎn )汤姆·(🦗)沃(wò )尔夫历经五(🏜)年(nián )走访卡拉(lā(🌙) )斯的生前好友(yǒ(🎁)u )、相关人(rén )士,发掘(💞)并使(shǐ )用了大量(🌲)(liàng )从未面世的珍(💸)(zhēn )贵私信及(jí )影(😀)像资(zī )料,拍摄制作(🔹)了(le )《卡拉(lā )斯:为(🚵)爱而声》,以玛(mǎ )丽(😭)亚·卡拉斯自(zì(🐀) )己的视(shì )角,带我(🌀)们(🖐)走进(jìn )她的传(chuá(🍶)n )奇人生。2018年,本片在(🌶)近(jìn )30个国家上映(🎏),收获了全(quán )球赞(🌩)誉(🐻)并引发(fā )了乐迷(🎰)的(de )怀念热潮。 17歲(suì(🐰) )的莎拉全(quán )心投(🤑)入學校的(de )戲劇排(🏐)練(liàn ),赤裸地體驗(yà(🏺)n )舞台上和(hé )生活(🔜)中的暴力(lì )。當她(🍎)試(shì )圖揭露深藏(🏘)心(xīn )中的醜陋(lòu )秘(🐵)密,高聲呼喊卻孤(🚊)立(lì )無援,於是在(🎺)莎士比亞(yà )和華(📉)格(gé )納的經典劇(😥)目(🚓)中(zhōng )尋找寄(jì )託(🍔),她想握有茱麗葉(🎐)的(de )匕首,想跟隨(suí(👄) )伊索德的(de )腳步殉(🔑)情(⏱)而去(qù ),當她站(zhà(🦒)n )上舞台,她是(shì )否(🐹)能對世(shì )界展開(🍾)反擊,扮演的界(jiè(➰) )線(🔍)究竟在哪裡(lǐ )?(👸) Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed? A frame that says, 'Drink makgeolli (rice wine) here and the one you miss will return' is hung on the wall of a tavern titled The Return. The tavern's regulars miss their lost ones.

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