Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo. When a Foster Home is stricken by tragedy the few remaining children make a pact to always keep in touch. BOI is a young man just starting out as a private chauffeur. Whilst anxiously awaiting his girlfriend’(⚪)s decision about a certain life-changing matter, he has to accompany his first ever clients: Michael and Gordon. Two Chinese businessmen who have come to Barcelona with the aim of closing, in under 48 hours, a multi-million dollar contract with an American magnate. They’ll help each other, as they set out together on a journey to the edge, in a world in which dreams wander like an ownerless dog, pistols and prostitutes don’t do what they’re meant to do, and the questions have yet to find answers. But as long as there’s a reasonable amount of blood, then there’(🏡)s nothing to worry about. A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives. 收到(dào )媽(😮)(mā )媽從山上(🥔)(shàng )寄來的(⏬)蜜蘋果，小月(🐉)計算(suàn )著(🚾)，媽媽已經在(🕍)(zài )外工作(🏐)許久了，媽媽(🈂)的搖(yáo )籃(👶)曲總是在耳(🎞)邊呼喚著。『你媽多久(😷)(jiǔ )沒回來了？』是(shì(🥜) )小月（13歲(suì )）(🐺)與碧艷(🥑)（15歲(suì )）兩個(🥏)小女(nǚ(🤗) )孩彼此關心的(☕)話(huà )語(🍩)。 影片(piàn )讲述了(♟)两个珠宝(🏯)(bǎo )设计师被(🚆)秘密组织(🏮)挑选为(wéi )实(🥏)(shí )验对象(🏷)，在对抗过程(⚪)中(zhōng )而(é(🐅)r )发生一系(xì(👠) )列精彩的(🌄)故事(shì )。年轻(😮)有为(wéi )的(✋)珠宝设计师(🚒)李(lǐ )清晨(🔶)在一(yī )次公(🔽)司季度珠(🔔)宝(bǎo )设计中(⚫)遇上海归设计师刘(liú(🤳) )曼妮，一个是典型的大(💾)男(nán )子(zǐ )主义(🍴)，一(yī )个(😎)是霸道的女(nǚ(✈) )权(quán )主(🍒)义者，火花四溅(🚑)针锋(fē(🗃)ng )相(xiàng )对的两人(✡)(rén )在一次(🆖)绑架案后(hò(💄)u )被命运紧(♋)(jǐn )密地联系(✈)在一起(qǐ(🐬) )。面对一系列(🥜)的身体变(🧘)异(yì )，和黑衣(🈳)人(rén )组织(⏫)头目“托(tuō )尼(🚂)(ní )”接二连(📠)(lián )三的夺命(😹)追杀(shā )，李(🐢)清晨和(hé )刘(🚷)曼妮这对(💺)欢喜(xǐ )冤家(🤲)在逃(táo )亡的过程中逐(🕢)渐(jiàn )开始变得(dé )彼此(🎁)信任，而两(liǎng )人(🤼)也联手(😘)揭开了一段不(📛)为(wéi )人(💒)(rén )知的惊天(tiā(🎹)n )大阴谋(🌭)。 “假(jiǎ )如(rú )音乐(🎷)是爱(ài )情(🔑)的食粮，请(qǐ(💼)ng )继(jì )续演(🙊)奏吧(ba )！”以配乐(⏯)著称(chēng )并(🈸)为莎士(shì )比(🔣)亚爱情喜(🙃)剧《爱的徒劳(🐓)》及《爱的胜(🎟)利(lì )》（即《无(🐼)(wú )事生非(🚭)》）注(zhù )入(rù(🌳) )无限活力(🎗)(lì )的超人气(👇)导演(yǎn )克(kè )里斯托弗(🆒)(fú )•拉斯康贝（Christopher Luscombe）携(🚸)创作团(tuán )队重返埃文(🏺)河畔(pàn )斯特拉(🐗)福(fú )德(💾)的皇家莎士比(💃)(bǐ )亚剧(🚷)团，执导莎翁另(🗣)一部(bù(🌆) )滑(huá )稽又心酸(🤫)(suān )的单相(👤)思爱情(qíng )故(😳)(gù )事： Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.