Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well. 巴(bā )勒斯坦電視台(tái )攝製(zhì )臥底肥皂劇，連(lián )以色列(🕞)婦孺都(dōu )晚晚(wǎn )追(zhuī )看。編劇因情(qíng )節背離革命而辭職(zhí )，監製的多口侄(zhí )仔助理受命執(👴)筆，頻(pín )頻借女角之口(kǒu )，向電視機前的舊愛(ài )示好，以色列(liè )檢查(chá )站(zhàn )軍官則企圖恃(shì )權影響劇情發展，以(yǐ )便在追(🥛)看的嬌(jiāo )妻面前自吹自擂。助(zhù )理即使槍抵腦(nǎo )殼(ké )，都不肯接受軍官(guān )要求的大團圓(yuá(🗣)n )結局(jú )。抗爭，必須繼(jì )續！影展新秀(xiù )蘇亞(yà )比(bǐ )巧妙調侃以巴(bā )關係，他的喜劇座(zuò )右(yòu )銘是：要能大(dà )笑，必須面對苦痛，並與之周旋。獲威尼斯地平線單元(yuán )最佳男主角獎(jiǎng )。 Anand "Ram Karthik", an aspiring young Radio Jackie. One day, one boy called the radio center and told that I am a love failure and now I am going to do suicide. After listing his concern, Anand narrates a love story to keep him away from suicide. He told that story episode wise and his story becomes very popular. Incidentally, this story becomes true in Anand's life and bring his love "Pranali Ghoghare" closer to him. For finding out his love Anand faces many problems and struggles much. How he found out his love and struggles to make everyone happy, Forms rest of the Story. 《上(shàng )海月亮》根据(jù )井上厦的同(🆗)名原作(zuò )改(gǎi )编而成的舞台(tái )剧，由栗山民也执(zhí )导(dǎo )，野村万斋、广(guǎng )末凉子主演，鷲尾(♋)(wěi )真知子、土屋(wū )佑壱(yī )、山崎一和辻万(wàn )长共同出演于(yú )2018年3月(yuè )推(tuī )出。 印度每年(niá(🥕)n )有超过二万宗针对(duì )女(nǚ )性的暴力罪案(àn )，平均每二十二分钟(zhōng )就有一名女性(xìng )被强暴，每六小时就(jiù )有一名妇女因(♑)(yīn )家庭(tíng )暴(bào )力丧命。年轻(qīng )的基层女警索妮与(yǔ )上(shàng )司卡帕纳在德(dé )里一同接手调查(🔃)不(bú )同(tóng )的女性暴力事(shì )件(jiàn )，在办案过程中往(wǎng )往遭受到了重(chóng )大阻(zǔ )力，无日无之的(🈲)(de )罪案令她脾气(qì )暴躁(zào )，做事方式偏离(lí )常规，被裁定在执(zhí )勤(qín )中行为不当，而私人生活也影响到(dào )了她的职业表(biǎ(🥐)o )现，与丈夫已经彼此(cǐ )疏离，却要被(bèi )迫面(miàn )对(duì )他突然的到访(fǎng )。印度电影少见的(de )写(xiě )实(🎍)题材，以一(yī )场一镜营造出真实(shí )迫(pò )力，将社会低(dī )下层女性受到压迫的(de )问题表露无遗(🖕)(yí )。 A young girl with a special gift struggles to overcome a mob boss' influence over her family in this dark Dust Bowl fantasy, inspired by Hans Christian Andersen's "The Little Mermaid." 20世(shì )纪福克斯最近买(mǎi )下了Alma Katsu下部小说(shuō )《饥(jī )饿(è )》（The Hunger）的电影(yǐng )版权，这部小说以(yǐ )《行尸走肉》的(de )风格叙述了北美历(🌁)史(shǐ )上最恐怖的一(yī )段(duàn )“食人”历史。 Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.